Brunellus
November 4th, 2005, 11:06 AM
Andrew Knight of Vienna, VA has filed a patent application, published today by the USPTO (http://www.uspto.gov"), for a Process of relaying a story having a unique plot (http://appft1.uspto.gov/netacgi/nph-Parser?Sect1=PTO2&Sect2=HITOFF&p=1&u=%2Fnetahtml%2FPTO%2Fsearch-bool.html&r=1&f=G&l=50&co1=AND&d=PG01&s1=Knight.IN.&s2=story&OS=IN/Knight+AND+story&RS=IN/Knight+AND+story). He claims a particular plot, the details of which are too trivial to mention here (and are available at the link above), and is seeking protection against anyone else using the claimed "invention".
This is notable because he is claiming patent protection over a plot that, as far as anyone can tell, has not actually been written yet. Had he written the story already, and published the same, he would be entitled to copyright, but he has applied for a patent for prospective protection.
Mr. Knight says he is applying for his patent as a means of spurring innovation; if his application were allowed, he argues, the creativity of "artistic inventors" would be rewarded. If rejected, he forsees a grim future for creativity.
...[T]he value of a singer's performance or a dancer's performance or a writer's performance or an artist's performance is in the performance, while the value of an inventor's invention is in the invention, not a single instance, embodiment, expression, or performance of the invention. The value of a performance is protected by copyright; the value of an invention is not. An artistic innovator is given but two choices absent patent protection: to sacrificially innovate for the unearned benefit of thieves, or to not innovate. Both options are morally and practically repulsive.
Am I the only one who thinks that this is a total abuse of the system, and should perhaps be the spark touches off some very serious debate about the nature of the laws on patentability in the United States?
This is notable because he is claiming patent protection over a plot that, as far as anyone can tell, has not actually been written yet. Had he written the story already, and published the same, he would be entitled to copyright, but he has applied for a patent for prospective protection.
Mr. Knight says he is applying for his patent as a means of spurring innovation; if his application were allowed, he argues, the creativity of "artistic inventors" would be rewarded. If rejected, he forsees a grim future for creativity.
...[T]he value of a singer's performance or a dancer's performance or a writer's performance or an artist's performance is in the performance, while the value of an inventor's invention is in the invention, not a single instance, embodiment, expression, or performance of the invention. The value of a performance is protected by copyright; the value of an invention is not. An artistic innovator is given but two choices absent patent protection: to sacrificially innovate for the unearned benefit of thieves, or to not innovate. Both options are morally and practically repulsive.
Am I the only one who thinks that this is a total abuse of the system, and should perhaps be the spark touches off some very serious debate about the nature of the laws on patentability in the United States?